You kidnapped me, you flew me out here on your daddy’s jet, chained me to your boyfriend’s side to perform a surgery most people I treat wait over a year for. So, yeah, this is your fault.

— Reid (to Luke)

Things are about to get really interesting in Holland! (and the making of a ‘Hero’)

The RTL description for today’s episode:

Noah helpt Luke eraan te herinneren dat hij de volgende dag wordt geopereerd. Hij vraagt Luke om hem te steunen.

Noah reminds Luke that his surgery is the next day. He asks Luke to support him.

That can only mean that it’s ‘Near Kisses’ day!

When the Near Kisses episode originally aired in the USA (April 28th, 2010), I had only recently discovered Luke and Reid. After watching their episodes back-to-back on the Reid Oliver Story YouTube channel, and watching a slew of fan videos, I started to realize that I wanted to make one, too. I’d never made a fan video before. In fact, before LuRe, I’d only watched a handful fan videos from the JetC (Janeway/Chakotay of Star Trek Voyager fame) fandom, and that was it. So this was a strange sensation.

After downloading and rejecting Adobe Premiere (WAY too complicated – and I taught Adobe design classes for nearly a decade!), and Windows MovieMaker (which just sucks in too many ways to count), I stumbled across Corel Video Studio Pro. I don’t think it’s quite as flexible as Sony Vegas, which I know is super-popular for fan video-makers, but Video Studio Pro came with a 30-day, fully functioning free trial, so that was my choice.

It took me only a few hours to get up and running between downloading and installing the software, figuring out how to import clips, and how to do the basic editing. So at well under $100 (I think the price has gone up with the new version) within a day, I was sold.

I had been thinking through the songs on my iPod, trying to find the right song, when the snippets of lyrics came to me one day. I wasn’t even sure I owned the song, so I had to Google the lyrics to confirm the song name – and indeed it was one that I had on my iPod for those days when I’m in a certain drippy mood.

I discovered LuRe right after the Dallas kiss, and most of the video came together pretty quickly, but I felt that it was missing just a few more scenes. I was trying to figure out how long to hold out when Near Kisses played, and filled in the blanks. So within about 24 hours of the episode’s airing (I don’t think I’d discovered livestream at that point, so I was at the mercy of the YouTube posters to even view clips),

So then, I had finished my very first fan video ever – set to Enrique Iglesias’s (I Can Be Your) Hero.

When I started making the video, I thought about it mainly from Reid’s point of view (I tended to fanvid mostly from Reid’s point of view, as I think the writing was skewing us towards being empathetic to Reid), starting with the opening dialogue clip.

But once I got started, what struck me (and part of what made me love this pairing even more) was that the two men seemed to be each other’s hero. That is, Reid was Luke’s hero for saving Noah’s eyesight and testifying for Holden, but at the same time, Luke was Reid’s hero for funding the hospital and then going to Dallas to save his butt. Reid needed Luke as much as Luke needed him, and vice versa.

Those thoughts eventually ended up becoming the Mirror Images list and ultimately, I think, is one of the characteristics of this couple that I find so compelling. It’s a bit of cliche for older knight/savior Reid to ride in on his shining horse to save poor, lovelorn, “princess” Luke. But I particularly love the idea of big-hearted, loving Luke could save Reid’s lonely, empty, crabby soul.

Interestingly, I just Googled the lyrics again and part of me is amazed that I saw the depth (“would you die for the one you love?” “will you always be mine?”) that I eventually felt on screen in the little airtime these guys had had together at this point (only the start of the triangle angst, with no I Can’t kiss, Babbling, or Black Monday yet).

So, at any rate, here it is again. I cringe at some of the scene cuts and fades, and a couple of clips are a bit longer than I would do these days, but hey-ho, it was a learning experience. Enjoy:

[tubepress video=j3WY6TtP-1w title=false description=false]

And the scenes that made it complete:

[tubepress video=rHOx6ubb6uk title=false description=false]

For anyone interested into the nitty-gritty behind-the-scenes of making this video, I found this sitting in my files recently and thought it was a stitch. The whole flip side (which you can kind of see through the scan) is covered with more clips and timestamps. 🙂

Hero Planning

And finally, one last point about this video. YouTube has a great feature called “hot spots” for video posters. With hot spots, they draw you a chart of the points in a video that attract the most or least “attention” (as defined by people rewinding to watch again, or leaving the video). For a long time, there was a massive trough at about 2:30 where Luke is eavesdropping on Reid, Katie and Jacob.

image

I always found this disappointing because to me this was one of the turning points in Luke’s thinking about the relationship. I thought it was one of the first times Luke saw Reid as a “human being” and not just an arrogant surgeon. The fact that he hung around way, WAY too long (and obviously) to be polite said a lot about where he was to me (something I tried to get across in the latest chapter of Simple Gifts, though I dunno how successfully).

So, at any rate, it really warms my heart to know that as the video got older and picked up more hits (from presumably more die-hard fans, vs casual visitors) was that others felt the same way and stuck through watching Luke’s eavesdropping scene as much as they watched the Dallas kiss, the towel, and the Near Kisses.

image

At any rate, enough navel-gazing from me today! I have a LONG overdue update on I Hate My Teenage Daughter to finish writing!….

Occupant world premiere at GSIFF | Tickets on sale now!

Tickets are now on sale online for the world premiere of Occupant – starring Van Hansis, Thorsten Kaye and Cody Horn – playing at the Gotham Screen International Film Festival in New York City. The running length is showing at 1 hr. 25 min. with NR (no rating). Both showings will be at:

Quad Cinema
34 West 13th Street
New York, NY 10011
(212) 255-8800

Click here to book for Friday October 14th, 7.00pm

Click here to book for Sunday October 16th, 10.15pm

Please double-check the links and make sure you have the right date and time. For those of you lucky enough to go, enjoy the show!

USA posts complete schedule for October 26th | Multiple showings for PSYCH Season 6 Episode 3, ‘This Episode Sucks’ with Kristy Swanson, Corey Feldman, and (of course) Van Hansis

USA Networks, home of PSYCH, starring James Roday and Dule Hill, have posted their complete schedules for October and much of November.

This makes it official: ‘This Episode Sucks’ will be the third episode of Season 6 and will air on October 26th at 10pm ET. Okay, so that’s not really news, I’ve been speculating on that for weeks now. But there will likely be three broadcasts during the initial run.

With three airings of PSYCH between October and November, Occupant’s release on VOD/DVD, and the mystery guest appearance, that means we could see Van on-screen five times in three weeks. That’s almost more air time than he had while appearing regularly on ATWT!….and that’s assuming that you only watch the Occupant video once. Yeah. Like THAT’s likely. ;P

Details on broadcast dates and times plus information on post-broadcast online viewing info and misc. tidbits, after the jump…

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It’s official! Occupant world premiere on October 14th at GSIFF, available October 18th on VOD, DVD, Netflix and iTunes!

UPDATE, 4 Oct 2011: Sorry, thought I published the date/time correction two days ago, but it looks like it never posted. Here it is again…

CORRECTION, 2 Oct 2011: GSIFF have updated their Occupant listing and it no longer says “opening night” screening. Instead, it shows screening times of Friday October 14th, at 7:00 p.m., and Sunday October 16th at 10:15pm. This is confirmed on Occupant Facebook which now reads: “Premiering at Gotham Film Festival on October 14th!” Sorry for the confusion!

UPDATE, 29 Sep 2011: Just checked the Occupant Facebook and it confirms: “Premiering in NYC at Gotham Film Festival on October 13th!!!”

Gotham Screen International Film Festival have added a page to their site for the Occupant showing – it’s listed as the World Premiere and the Opening Night Screening – so I’m guessing it will air on the festival’s first night (duh!). The post features a photo I don’t remember seeing before and has a Buy Tickets link, though it looks like it’s not yet activated (the general Buy Tickets link still says “coming soon.”)

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In the meantime, while the movie’s main site does not appear to be updated, their Facebook Info page has a big update – it now shows under release date: “October 18th on VOD and DVD, iTunes, Netflix.”

That’s good news for those of us who don’t subscribe to Netflix.

Think about it – October 13th – that’s barely more than two weeks away! Woot woot!

Van Hansis’s Occupant | A ‘highlight’ of Gotham Screen International Film Festival

For more detail on the Gotham Screen International Film Festival (GSIFF), I’m just going to reproduce their complete press release from last week, which is pretty comprehensive:

Now in its Fifth Year

GOTHAM SCREEN International Film Festival

OPENS at New Venue at NY’s QUAD Cinema
October 13

NEW YORK, NY–(September 23, 2011) – This year’s Annual GOTHAM SCREEN International Film Festival (GSIFF) brings another slate of under-the-radar gems to a new home—NY’s QUAD Cinema.

GSIFF Directors, Michael Gunther and Alex Blakeney, have cherry picked from A-List film festivals–Cannes, Toronto, Locarno, Venice—new talent and films that are awaiting distribution. The eclectic slate gives local New York audiences and industry professionals an insider’s look into the international scene, while also working hard to discover new independent American films. The majority of the films are US or World Premieres.

This year’s festival showcases more than 10 cutting-edge features, documentaries
and three programs of short films from independent, first- or second-time directors
as well as international releases making their East Coast or US debut.

This year’s program is highlighted by the World Premiere of Henry Miller’s Occupant; the World Premiere of Dana Packard’ss, 40 West, starring Wayne Newton; and the East Coast premiere of Indian film Shuttlecock Boys directed by Hemant Gaba.

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